She had a stroke, but it's a comedy, Buck explains. Robinson living in a "big, spooky house" in Northern California. But the best punchline: Buck Henry, who appeared in The Graduate, pitching The Graduate, Part 2, with Ben, Elaine and Mrs.
The backdrop: Considered the funniest tracking shot in film, Robert Altman's story about a studio executive being blackmailed by a desperate screenwriter begins with one that features discussion over cinema's great tracking shots, including Touch of Evil. The film would earn Oscar nominations for Scorsese and editor Thelma Schoonmaker, and win Joe Pesci an Academy Award for best supporting actor. In addition to following his actors through dozens of extras and rolling props, Scorsese had to deal with sets under vastly different lighting: the streets, kitchen and a bustling club, where Karen asks Henry what he does for a living. The backdrop: Director Martin Scorsese literally takes audiences behind the scenes of mob dining in this iconic shot, in which Henry (Ray Liotta) escorts his fiancee Karen (Lorraine Bracco) through a side entrance of the Copa. A few years ago industry cinematographers were asked to pick the best-shot films of all time in two eras, and then followed up with a modern assessment.
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